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Commando
Satish wants his only son, Chander, to be physically fit and join the army. While Satish is protecting the life of Mrs. Indira Gandhi, he is killed by three men; his wife goes insane, and his son is orphaned. Now Chander has grown up and has joined the army as a Commando. The Commander of his company, Mirza is corrupt and is protecting the interests of international criminal don, Marcelloni, by stealing arms and ammunitions. Chander attempts to bring this to the attention of the owner of the arms depot, Kailashpuri Malhotra, who disbelieves him. But Mr. Malhotra's daughter, Asha believes him, as well as loves him, and she along with Jhum Jhum, and Dilher Singh try to expose what's going on. Chander also finds out that the three men who killed his dad also belong to this gang, but then Marcelloni abducts Asha, and uses Chander as a pawn to get what he wants - spread nationwide terror.
Dayavan
Shakti and Shankar are two childhood buddies who grow up on the wrong side of the tracks, in a shanty town. Shakti becomes a sort of 'godfather' for the locals under the name of Dayavan. He falls in love and gets married to a young prostitute. However, their happiness is short-lived, as the gangster lifestyle begins to take its toll.
Paap Ko Jalaa Kar Raakh Kar Doonga
Bachelor Shankar Saxena lives with his elder brother, Chief Engineer Vinay, his wife, Kavita, and their daughter of marriageable age, Pooja. Shankar is an undercover CBI Officer, a fact that was hidden from the rest of the family, until only recently. Vinay would like Pooja to get married to Deepak Malhotra, who works in his office, and is quite unaware that Deepak and Pooja have already met and are very much in love. Although Deepak comes from a poor family, and lives with his widowed and blind mother, Vinay does not foresee this as a problem. Then suddenly things change dramatically when Vinay suspects Deepak of accepting bribes from a corrupt builder named Shaadilal, fires Deepak, pending a police investigation. And to make matters worse, Shankar too is aware of Deepak - not as a groom for his niece, but as a suspect for murder!! But before he could arrest Deepak, he must execute a warrant for the arrest of none other than Vinay himself.
Khoon Bhari Maang
Aarti, a homely but wealthy widow, is the unwitting target of a scheme to divest her of her family, fortune and life. Her father is killed by one of his workers. The worker's nephew Sanjay woos her and weds her, then tosses her into a crocodile-filled lake with the goal of inheriting his dead wife's riches. Aarti lives, has plastic surgery that transforms her into a beauty and plots her revenge.
The Deceivers
India, 1825: the country lives in mortal fear of cult members known as the “Deceivers." They commit robbery and ritualistic murder. Appalled by their activities, an English military man, Captain William Savage, conceives a hazardous plot to stop them. In disguise, he plans to himself become a “Deceiver” and infiltrate their numbers. Ever present in Savage’s adventures is a sense of dread; he is in constant fear of betrayal and vengeance and also undergoes a disturbing psychological transformation as he experiences the cult’s blood lust firsthand.
Rihaee
A village is inhabited mainly by women whose husbands are in the cities earning a living. Taking advantage of the situation, a man who returns to his village succeeds in seducing most of the women.
Qayamat Se Qayamat Tak
Both Dhanraj Singh and Randhir Singh are two bitter and old time enemies. They faced a disastrous situation when their children, Raj and Rashmi fall deeply in love. They openly declare their hatred for one another and will do anything in their power, even kill - but they will not accept their children's choice. But Raj and Rashmi are dedicated to their love and are not willing to accept the fact that their fathers are mutual enemies.
Rukhsat
Arjun Rai lives a poor lifestyle in Bombay, and works as an auto mechanic for a living. He and wealthy Sapna are in love with each other, much to the chagrin of Sapna's dad, who wants her to get married to someone wealthy. Arjun decides to buy his own garage and borrows money from a client, Jagdish Chopra. He works hard and is able to save some money. When he goes to propose for Sapna's hand, her dad asks his watchmen to throw him out, while doing so they find out he was armed, as a result police are summoned and he is arrested. Sapna re-locates to the U.S. to stay with her aunt, who subsequently convinces her to get married to Gautam Saigal.
Aakhri Adaalat
Inspector Amar Kaushal attempts to incarcerate wrong-doers in his society only lead to frustration when they are let off by the incompetence of the law and his superiors and seniors. Eventually Amar stands accused of killing several criminals and innocents which prompts him to take law into his own hands.
Hatya
After the passing away of his wife, Sheila, and child, Raja, Sagar takes to drinking as well as singing and dancing at weddings and special occasions. Intoxicated heavily after one such event, he comes across a young male child lying in a garbage can, and takes him home. He subsequently comes to know that the child, who he decides to name Raja, is deaf-mute since birth, and decides to adopt him. Sagar's life will be turned upside down when a wealthy businessman, Kailash Nath, files a police complaint alleging that Raja is his grandson, and Sagar may have abducted and killed Raja's mom. Tortured and held in a cell, Sagar does not know that Raja's life is in danger by killer(s) who believe Raja saw them commit a murder.
Ram-Avtar
Ram and Avtar are both childhood best friends. The difference between the two friends is that Ram would willingly make priceless sacrifice for his friend; the time when both are separated is when Ram goes abroad to further his studies. In the mean while Avtar takes up employment in an organization run by Sangeeta. Avtar is romantically attracted to Sangeeta but Sangeeta falls in love with Ram; when Ram gets to know that Avtar is in love with Sangeeta he decides to sacrifice his love for his friend sake by getting Avtar married to Sangeeta. But one of Sangeeta's enemies Gundappaswami is willing to expose Ram and Sangeeta's relationship to Avtar.
Shoorveer
The story revolves around the pain of children that parents have, even adopted ones in India. Shankar, played by Danny, is a small-time crook who is given number one by gang leader (Kader Khan), though his accomplice No. 7, who uses him and gets him embroiled in a false murder. Shankar who deeply loves his wife Nanda (Deepti Naval) and daughter Meena (Mandakini), is devastated when he finds out that his newborn son has an incurable fever; he rushes to Dr. S. Malhotra (Suresh Oberio), who refuses to treat his son out of turn--and the baby dies. Full of vengeance, Shankar abducts the doctor's son Shoorveer and hands him to Iqbal to maim and make a beggar. Iqbal is saved in epilepsy by Shoorveer, who then brings him up as his own son.
Zalzala
Treasure hidden in an abandoned Shiva temple attracts both good and evil characters to it, but can they retrieve the priceless gold and jewels before the earthquake (Zalzala) hits?
Charanon Ki Saugandh
Charanon Ki Saugandh is a 1988 Hindi-language Indian feature film directed by K. Bapaiah, starring Mithun Chakraborty, Amrita Singh, Nirupa Roy, Prem Chopra, Kader Khan, Shakti Kapoor, Raj Kiran and Kader Khan.
Trishagni
The film, which won the 1988 National Film Award for Best First Film of a Director for its "excellent exploration of complex philosophical theme for the first time in Indian cinema," is set in the Buddhist town of Sariput in the desert of Central Asia in the 1st century B.C. The town is struck by a devastating sand storm that leaves behind only four survivors: two monks and two children taking refuge in the monastery. Twenty years later, the monks have become old, while the boy and the girl have grown and fallen in love. The jealous monk deceitfully persuades the boy into becoming a monk, yet the girl wins him back, as a result both are expelled from the monastery, and that is when the sandstorm strikes once again..
Falak
Two partners namely, Murlidhar and Narang, betray their third partner and take over his business. Ramnath works as a watchman in this organization, and he sees illegal business taking place, and attempts to put a stop to this, only to get killed in the process, leaving behind a widow and two sons to fend for themselves. The police classify this death as an accident, and the management refuses to pay any compensation. Years later, the two sons have grown up and remember the death of their dad and the humiliation suffered at the hands of the new owners, and devise a plan to avenge this, and find that the owners have friends in the police force, as well as politicians, who will leave no stone unturned to protect both Narang and Murlidhar.
Tamacha
Growing up, nothing could separate best friends Vicky and Raju. But when one chooses a career as a respected policeman and the other turns to a life of crime, their affection for one another turns into a feud that could prove lethal for them both. Directed by Ramesh Ahuja, this thrilling Hindi-language tale of friendship, loyalty and betrayal stars Jeetendra, Rajnikanth, Bhanupriya and Amrita Singh.
Sagar Sangam
Sagar Sangam is a 1988 Hindi film. A family drama, it had a very long delayed release. The film was announced in 1985, had its records released in 1986. The film stars Mithun Chakraborty, Shatrughan Sinha, Raakhee, Padmini Kolhapure, Anita Raj and Asha Parekh.
Shahenshah
Inspector Srivastav is framed by a wily and cunning gangster, J.K., and unable to prove his innocence, hangs himself, leaving behind his wife, and son, Vijay. Years later, Vijay has grown up and has joined the police force as an Inspector. Unlike his dad, he is corrupt and does accept bribes to turn a nelson's eye to crime. The City Police are assigned the task of apprehending a customed man called "Shahenshah", who operates at night and targets, tries and kills gangsters in a "Judge and Executioner "style. No one knows the real identity of Shahenshah, as he is feared by the police department, and respected by the poor and middle-class.
